Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Bob RossRead
We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.
Interpretation
This quote emphasizes that anyone can create art they feel proud of, regardless of its recognition or status.
Bob Ross's quote highlights the intrinsic value of personal expression through art. He believes that the act of creating something meaningful to oneself is what truly matters, rather than seeking validation from prestigious institutions. The pride and joy that come from making art for one's own enjoyment are central to the experience, reinforcing that creativity is accessible to everyone.
In practice
In a community art class, to encourage students: 'Remember, as Bob Ross said, we show people that anybody can paint a picture that they're proud of.'
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Everyday's a good day when you paint
Ever make mistakes in life? Let's make them birds. Yeah, they're birds now.
We don't make mistakes; we just have happy accidents.
I don't know if anything in nature ever grows exactly the same, but they are always exactly as the way it should be, perfectly itself.
It's the imperfections that make something beautiful, that's what makes it different and unique from everything else.
Cartooning is about deconstruction: you gotta tear something down to make a joke.
It's an honor putting art above politics. Politics can be seductive in terms of things reductive to the soul.
I don't believe that clothes can start a revolution, but I do believe that fashion is often a manifestation of a sociological or political climate.
Film is really the one art form that can effectively use silence. Music and theater can play with silence, but they can't sustain silence without losing energy, whereas film can go into a silent mode and stay there for minutes at a time.
As art sinks into paralysis, artists multiply. This anomaly ceases to be one if we realize that art, on its way to exhaustion, has become both impossible and easy.
In its primary aspect, a painting has no more spiritual message than an exquisite fragment of Venetian glass. The channels by which all noble and imaginative work in painting should touch the soul are not those of the truths of lives.
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