A man climbs a mountain because it is there. An artist makes a work of art because it is not there.
Carl AndreRead
Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
Interpretation
This quote emphasizes the relentless effort artists must invest in their work to achieve purity and quality, distinguishing it from mundane tasks in everyday life.
Carl Andre highlights the continuous struggle artists face in their creative process, suggesting that each attempt is fraught with the need to eliminate unnecessary elements ('dross') that detract from the true essence of their art. For those not engaged in art, these everyday activities may seem valuable, but for an artist, there is a constant pursuit of clarity and meaning that requires repeated effort and self-assessment.
In practice
In a discussion about the creative process during an art class.
A man climbs a mountain because it is there. An artist makes a work of art because it is not there.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
My art springs from my desire to have things in the world which would otherwise never be there.
There's nothing in the world more silent than the telephone the morning after everybody pans your play. It won't ring from room service; your mother won't be calling you. If the phone has not rung by 8 in the morning, you're dead.
There is still a real need for good quality architecture, not paper architecture, but the real stuff.
I am very happy to design haute couture. It's a love story between couture and me.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
It would seem that the more irresponsible and crafty one is, the more likely one is to have a talent for storytelling.
The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.
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