A man climbs a mountain because it is there. An artist makes a work of art because it is not there.
Carl AndreRead
Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
Interpretation
This quote emphasizes the relentless effort artists must invest in their work to achieve purity and quality, distinguishing it from mundane tasks in everyday life.
Carl Andre highlights the continuous struggle artists face in their creative process, suggesting that each attempt is fraught with the need to eliminate unnecessary elements ('dross') that detract from the true essence of their art. For those not engaged in art, these everyday activities may seem valuable, but for an artist, there is a constant pursuit of clarity and meaning that requires repeated effort and self-assessment.
In practice
In a discussion about the creative process during an art class.
A man climbs a mountain because it is there. An artist makes a work of art because it is not there.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
My art springs from my desire to have things in the world which would otherwise never be there.
I see things with my own eyes, just as if they were the first eyes that ever saw, and then I set about to tell, as best I can, just what I've seen.
Islamic culture has given us majestic arches and soaring spires; timeless poetry and cherished music; elegant calligraphy and places of peaceful contemplation.
Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
I love amazing people. I love dazzling them. That's why I think performing magic is one of the greatest things a person can do.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
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