It would seem that the more irresponsible and crafty one is, the more likely one is to have a talent for storytelling.
Interpretation
Irresponsibility and cunning may enhance one’s storytelling ability.
In this quote, Osamu Dazai suggests that those who are less restrained by morality and who are more cunning can create more compelling narratives. This observation reflects how imagination, coupled with a disregard for conventional ethics, can lead to imaginative storytelling that captivates audiences, perhaps because it taps into the more chaotic and unpredictable aspects of human nature.
In practice
In a discussion about the influence of character traits on creativity, this quote can provide insight into how personality affects storytelling.
I soon came to understand that drink, tobacco and prostitutes were all great means if dissipating (even for a few moments) my dread for human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it.
I want to spend my time with people who don't look to be respected. But such good people won't want to spend their time with me.
In my case such an expression as 'to be fallen for' or even 'to be loved' is not in the least appropriate; perhaps it describes the situation more accurately to say that I was 'looked after.
Unhappiness. There are all kinds of unhappy people in the world. I suppose it would be no exaggeration to say that the world is composed entirely of unhappy people. But those people can fight their unhappiness with society fairly and squarly, and society for its part easily understands and sympathizes with such struggles. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody.
As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky.
To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.
If I like many photographers, and I do, I account for this by noting a quality they share - animation. They may or may not make a living by photography, but they are alive by it.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
I make a discovery in a poem as I write it.
By definition, poetry works with qualities and dynamics that mainstream society is reluctant to face head-on. It's an interesting phenomenon that by necessity, poetry is just below the radar.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.
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