The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
Emile M. CioranRead
Every word affords me pain. Yet how sweet it would be if I could hear what the flowers have to say about death!
Interpretation
The quote reflects on the pain of existence and the longing for a deeper understanding of life and death.
In this quote, Emile M. Cioran expresses a profound sense of suffering associated with the act of speaking and existing in the human condition. He contrasts this pain with a yearning to hear the more serene and perhaps enlightening perspective of nature, represented by flowers, on the inevitability of death, suggesting that nature may offer a wisdom and acceptance that humanity struggles to achieve.
In practice
In a memorial speech, one might use this quote to highlight the beauty of nature in discussing the concept of death.
The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
We are afraid of the enormity of the possible.
There was a time when time did not yet exist. β¦ The rejection of birth is nothing but the nostalgia for this time before time.
A marvel that has nothing to offer, democracy is at once a nation's paradise and its tomb.
Paradise was unendurable, otherwise the first man would have adapted to it; this world is no less so, since here we regret paradise or anticipate another one. What to do? Where to go? Do nothing and go nowhere, easy enough.
It is not worth the bother of killing yourself, since you always kill yourself too late.
The rights of neutrality will only be respected when they are defended by an adequate power. A nation, despicable by its weakness, forfeits even the privilege of being neutral.
Bizarre and engrossingly disturbing, Naked Lunch, finds truth in madness.
The thing about witchcraft," said Mistress Weatherwax, "is that it's not like school at all. First you get the test, and then afterward you spend years findin' out how you passed it. It's a bit like life in that respect
American writers often say they find it difficult to write Superman. They say he's too powerful; you can't give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman's relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it's still a story about your relatives visiting.
I am simultaneously and contradictorily both happy and unhappy: 'to succeed' or 'to fail' have for me only ephemeral, contingent meanings (this does not stop my desires and sorrows from being violent ones); what impels me, secretly and obstinately, is not tactical: I accept and I affirm, irrespective of the true and the false, of success and failure; I am withdrawn from all finality, I live according to chance.
I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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