My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
Everybody has the same energy potential. The average person wastes his in a dozen little ways. I bring mine to bear on one thing only: my paintings, and everything else is sacrificed to it...myself included.
Interpretation
Focus your energy on one passion to achieve greatness.
In this quote, Pablo Picasso emphasizes the importance of channeling one's energy into a singular passion or pursuit, in his case, painting. He suggests that individuals often waste their potential by spreading themselves too thin across various activities, while true mastery and success come from dedicating oneself completely to a singular goal, even at the cost of other interests or aspects of life.
In practice
In a speech about creativity, one might say, 'As Picasso once expressed, everybody has the same energy potential, yet it is how we focus that energy that defines our art.'
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
I know I'm not the kind of music that's going to have tons of screaming fans, and I'm not gonna be everyone's cup of tea. I just want to do as good a job as I can.
An ecstasy is a thing that will not go into words; it feels like music.
Songwriting wasn't my gift. I think you have to cultivate a gift; you have to practice and develop craft around your gift so that you can execute it in more convenient, efficient ways.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
A number of images put together a certain way become something quite above and beyond what any of them are individually.
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