My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Everything in the world is beautiful, but Man only recognizes beauty if he sees it either seldom or from afar. Listen, today we are gods! Our blue shadows are enormous! We move in a gigantic, joyful world!
Interpretation
What this quote means
Beauty in the world is often overlooked by humans unless it is rare or distant. This quote invites us to embrace the vast and joyful beauty of existence.
Vladimir Nabokov's quote reflects on the human tendency to appreciate beauty only under certain conditions, such as rarity or distance. It suggests that our perception is limited, and we may fail to recognize the beauty present in our everyday lives. By reminding us that we have the power to experience joy and beauty in a grand, interconnected world, Nabokov challenges us to transform our outlook and acknowledge the divine nature of our existence.
Themes
In practice
Example use cases
This quote can be used during a speech about appreciating the beauty in everyday life.
More from Vladimir Nabokov
All quotes →Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
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It's the attitude about life, man. Looking at the light instead of the dark. Looking at love instead of fear.
The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them. They walk serene and primal, undimensioned and to us unseen.