Nothing is more odious than music without hidden meaning.
Frederic ChopinRead
All the same it is being said everywhere that I played too softly, or rather, too delicately for people used to the piano-pounding of the artists here.
Interpretation
Chopin reflects on how his delicate playing style contrasts with the louder, more forceful approach of other artists.
In this quote, Frederic Chopin addresses the criticism he faces for his gentle and sensitive playing style, suggesting that his artistry is often misunderstood by audiences who are accustomed to more vigorous performances. This highlights the subjective nature of musical interpretation and the challenge artists face in staying true to their unique expression while meeting public expectations.
In practice
During a music appreciation class, discussing the nuances of Chopin's style.
Nothing is more odious than music without hidden meaning.
It is dreadful when something weighs on your mind, not to have a soul to unburden yourself to. You know what I mean. I tell my piano the things I used to tell you.
Simplicity is the highest goal, achievable when you have overcome all difficulties.
Put all your soul into it, play the way you feel!
The Official Bulletin declared that the Poles should be as proud of me as the Germans are of Mozart; obvious nonsense.
Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.
His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.
Come clean with a child heart Laugh as peaches in the summer wind Let rain on a house roof be a song Let the writing on your face be a smell of apple orchards on late June.
If the world were clear, art would not exist.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film.
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
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