Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
N. Scott MomadayRead
We are what we imagine. Our very existence consists in our imagination of ourselves. Our best destiny is to imagine, at least, completely, who and what, and that we are. The greatest tragedy that can befall us is to go unimagined.
Interpretation
Our identities and destinies are shaped by our imagination and self-perception.
This quote by N. Scott Momaday emphasizes the profound role that imagination plays in defining who we are and the lives we lead. It suggests that our existence is heavily influenced by how we envision ourselves, and failing to imagine our potential can lead to a life unfulfilled and without direction. The idea is that our dreams and aspirations are essential to realizing our true selves, making it crucial to harness our imagination in order to achieve our best outcomes and avoid a life of mediocrity.
In practice
In a motivational speech about pursuing dreams and goals.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
For the storyteller, for the arrowmaker, language does indeed represent the only chance for survival.
There is a great good in returning to a landscape that has had extraordinary meaning in one's life. It happens that we return to such places in our minds irresistibly. There are certain villages and towns, mountains and plains that, having seen them walked in them lived in them even for a day, we keep forever in the mind's eye. They become indispensable to our well-being; they define us, and we say, I am who I am because I have been there, or there.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
My father was a painter and he taught art. He once said to me, 'I never knew an Indian child who could not draw.'
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.
To get back up to the shining world from there My guide and I went into that hidden tunnel, And Following its path, we took no care To rest, but climbed: he first, then I-so far, through a round aperture I saw appear Some of the beautiful things that Heaven bears, Where we came forth, and once more saw the stars.
All life is energy and we are transmitting it at every moment. We are all little beaming little signals like radio frequencies, and the world is responding in kind.
Have you no hope at all? And do you really live with the thought that when you die, you die, and nothing remains?" "Yes," I said.
God does not die on the day when we cease to believe in a personal deity, but we die on the day when our lives cease to be illumined by the steady radiance, renewed daily, of a wonder, the source of which is beyond all reason.
One does not surrender a life in an instant. That which is lifelong can only be surrendered in a lifetime. Nor is surrender to the will of God (per se) adequate to fullness of power in Christ. Maturity is the accomplishment of years, and I can only surrender to the will of God as I know what that will is.
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