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To the extent that this world surrenders its richness and diversity, it surrenders its poetry; to the extent that it relinquishes its capacity to surprise, it relinquishes its music; to the extent that it loses its ability to tolerate ridiculous and even dangerous exceptions, it loses its grace.
Tom Robbins
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Interpretation

What this quote means

This quote suggests that the beauty and richness of life stem from its diversity and capacity for surprise.

Tom Robbins emphasizes that the essence of life, likened to poetry and music, is rooted in diversity and the unexpected. When the world loses its ability to embrace differences and the unpredictable, it diminishes its own beauty and grace, suggesting that variation and tolerance are fundamental to a fulfilling existence.

Themes

DiversityBeautySurpriseToleranceGrace

In practice

Example use cases

In a speech about the importance of inclusivity in the workplace, one might reference this quote to highlight the value of different perspectives.

More from Tom Robbins

We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
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There are many things worth living for, a few things worth dying for, and nothing worth killing for.
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The unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. When you're unhappy, you get to pay a lot of attention to yourself. You get to take yourself oh so very seriously.
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I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
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The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions - anger, jealousy, etc - to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
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On their sofas of spice and feathers, the concubines also slept fretfully. In those days the Earth was still flat, and people dreamed often of falling over edges.
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