We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Samuel Taylor ColeridgeRead
My eyes make pictures when they are shut.
Interpretation
This quote suggests that imagination and visualization occur even in silence or darkness.
Samuel Taylor Coleridge's quote emphasizes the power of imagination, claiming that even when our eyes are closed, we can create vivid images and experiences in our mind. It highlights the idea that our inner world is rich and boundless, enabling us to dream and envision beyond mere physical sight.
In practice
Using this quote while discussing the importance of creativity in art classes.
We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Common sense in an uncommon degree is what the world calls wisdom.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
Often do the spirits stride on before the event; and in today already walks tomorrow.
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
To believe and to understand are not diverse things, but the same things in different periods of growth.
My film is not a movie; it's not about Vietnam. It is Vietnam.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
It is not enough to photograph the obviously picturesque.
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
I'm a great audience. I cry very easily. I suspend disbelief in two seconds.
You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.
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