The easiest thing to do on earth is not write.
William GoldmanRead
As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential.
Interpretation
What this quote means
In filmmaking, while stars may seem unimportant, they are actually key to the success of a project.
William Goldman's quote reflects the paradox of stars in the filmmaking industry. On one hand, the star power can overshadow other aspects of film production, making it seem like they are not crucial to the storytelling process; on the other hand, their presence and draw can be critical in attracting an audience and securing funding, thereby making them absolutely essential for a filmβs success.
Themes
FilmmakingStarsImportanceProcessStorytelling
In practice
Example use cases
During a film workshop, one might quote Goldman to highlight the importance of both talent and teamwork.
More from William Goldman
All quotes βWriting is finally about one thing: going into a room alone and doing it, putting words on paper that have never been there in quite that way before.
William GoldmanRead
Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...
William GoldmanRead
Her heart was a secret garden and the walls were very high.
William GoldmanRead
Death cannot stop true love. All it can do is delay it for a while.
William GoldmanRead
Everyone had told her, since she became a princess-in-training, that she was very likely the most beautiful woman in the world. Now she was going to be the richest and the most powerful as well. Don't expect too much from life, Buttercup told herself as she rode along. Learn to be satisfied with what you have.
William GoldmanRead
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I write my books at moments of shock. I meet people in extremis and their stories are highly emotionally charged.
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I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
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My paintings are not about what is seen. They are about what is known forever in the mind.
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On a morning from a Bogart movie, in a country where they turn back time. You go strolling through the crowd like Peter Lorre, contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came in the year of the cat.
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