I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
Interpretation
The quote reflects Alexander McQueen's lifelong passion for design and fashion, emphasizing dedication and early inspiration.
In this quote, Alexander McQueen shares his deep-rooted passion for fashion design, which he cultivated from a very young age. He highlights the importance of consistent engagement with his interest, from childhood drawing to studying the careers of established designers. This demonstrates how early exposure and sustained effort can influence and shape one's career path, as well as the significance of following one’s dreams tirelessly. McQueen's journey illustrates that passion, knowledge, and perseverance are fundamental components of achievement in any field.
In practice
In an interview about your career path, you could use this quote to illustrate the importance of pursuing your passion from a young age.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.
I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that.
Fashion should be a form of escapism, and not a form of imprisonment.
I'm interested in designing for posterity.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
Is the 'black designer' label there to warn everyone not to have the same level of expectations for me, or is it some type of prize? I just want to work in an even playing field where I can get press for my work and not just my race and my personal views on it.
As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable.
I'm trying to figure out if I love art enough to be poor.
If typography is calling attention to itself, it's taking that attention away from what the words are saying.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
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