I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
Interpretation
The quote emphasizes the importance of honesty in addressing societal issues, particularly racism in fashion.
Alexander McQueen expresses the need for transparency in the fashion industry, acknowledging that political beliefs can influence artistic work. He critiques the appropriation of other cultures in fashion, suggesting that viewing cultural attire merely as costumes perpetuates racism and outdated practices. By advocating for breaking down barriers, McQueen calls for a more respectful and thoughtful approach to fashion that honors cultures instead of exploiting them.
In practice
This quote could be used during a discussion on cultural appropriation in fashion classes.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.
I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that.
Fashion should be a form of escapism, and not a form of imprisonment.
I'm interested in designing for posterity.
It is important to look at death because it is a part of life. It is a sad thing, melancholy but romantic at the same time. It is the end of a cycle - everything has to end. The cycle of life is positive because it gives room for new things.
There are mothers who sew for six months to make a fashion collection - someone's grandmother, someone's sister. We come in and get paid to walk for 10 minutes at the end. Whenever I think about that, I realise it's not about me. I was just the one chosen to represent those women and sell the clothes.
I think it is a good thing to buy less and choose well - it's good for the environment and to be fair it's also good for me because my clothes are quite expensive.
The great thing about American women is their energy and the way they love to dress. French women don't really dress; they are too conservative, as it's always a question of money. In America, women are powerful and strong, determined. If they want to be an object, they choose to be in control.
There's never a new fashion but it's old.
Why am I so determined to put the shoulder where it belongs? Women have very round shoulders that push forward slightly; this touches me and I say: 'One must not hide that!' Then someone tells you: 'The shoulder is on the back'. I have never seen women with shoulders on their backs.
When I started, I knew nothing about fashion. I remember, my first day going to my agency, I was wearing these huge bell-bottoms - they were patchwork corduroy and denim, which, at the time, I thought were amazing. My agent told me, 'You have a casting with Prada - you have to burn those jeans.'
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