Don’t wear what you question, wear what you think is right for you.
Interpretation
Choose clothing that reflects your personal beliefs rather than what society dictates.
This quote by Karl Lagerfeld emphasizes the importance of individual expression and authenticity in fashion. It suggests that one should prioritize personal values and self-confidence over societal expectations or doubts, encouraging people to embrace their true selves through their choices in attire.
In practice
In a fashion seminar, one could use this quote to inspire attendees to embrace their own styles.
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
I'm open to everything. When you start to criticize the times you live in, your time is over.
If I could be reincarnated as a fashion accessory, it would be a shopping bag.
Chic is a kind of mayonnaise, either it tastes, or it doesn't.
Why should I stop working? If I do, I'll die and it'll all be finished. 'm lucky to work in the most perfect of conditions. I can do what I want in all kinds of areas. The expenses are not expenses. I would be stupid to stop that. Work is making a living out of being bored.
Elegance has nothing to do with fashion.
The fashion industry has done itself in by neglecting the 60- to 80-year-old market. They have the time and the economic resources. They want to go shopping.
These heels are candy for the feet; they’re for pleasure, not practicality.
Elegance does not consist in putting on a new dress.
I'm not a fashion victim, and I don't closely follow trends. I dress the way I feel comfortable because, at the end of the day, you have to be comfortable.
Women's sexy underwear is a minor but significant growth industry of late-twentieth-century Britain in the twilight of capitalism.
Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
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