For tyme ylost may nought recovered be.
Geoffrey ChaucerRead
There's never a new fashion but it's old.
Interpretation
Fashion trends often recycle older styles and ideas, suggesting that nothing is truly original.
Geoffrey Chaucer's quote highlights the cyclical nature of fashion, indicating that while we may perceive certain trends as new and innovative, they are typically reimagined versions of styles that have existed in the past. This reflects a broader understanding that creativity often draws upon past influences, creating a tapestry of ideas that are continuously evolving.
In practice
This quote can be used in a fashion design presentation to emphasize the importance of drawing inspiration from history.
For tyme ylost may nought recovered be.
For in their hearts doth Nature stir them so Then people long on pilgrimage to go And palmers to be seeking foreign strands To distant shrines renowned in sundry lands.
If gold rusts, what then can iron do?
Thus with hir fader for a certeyn space_x000D_ _x000D_ Dwelleth this flour of wyfly pacience,_x000D_ _x000D_ That neither by hir wordes ne hir face_x000D_ _x000D_ Biforn the folk, ne eek in her absence,_x000D_ _x000D_ Ne shewed she that hir was doon offence.
Ther nis no werkman, whatsoevere he be, That may bothe werke wel and hastily.
For oute of olde feldys, as men sey,_x000D_ _x000D_ Comyth al this newe corn from yer to yere;_x000D_ _x000D_ And out of olde bokis, in good fey,_x000D_ _x000D_ Comyth al this newe science that men lere.
When you think of the blur of all the brands that are out there, the ones you believe in and the ones you remember, like Chanel and Armani, are the ones that stand for something. Fashion is about establishing an image that consumers can adapt to their own individuality. And it's an image that can change, that can evolve. It doesn't reinvent itself every two years.
The goal I seek is to have people refine their style through my clothing without having them become victims of fashion.
People, when they say 'streetwear,' they miss the central component, which is that it's real people; it's clothes that are worn on the street.
Don't dress to kill, dress to survive.
I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
What I do Coco would have hated. The label has an image and it's up to me to update it. I do what she never did. I had to find my mark. I had to go from what Chanel was to what it should be, could be, what it had been to something else.
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