My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.
Interpretation
The quote reflects on how inspiration can arise from unusual and profound sources, such as the creativity of an animal in captivity.
Vladimir Nabokov's quote highlights the unexpected nature of inspiration, suggesting that even the simplest or most unconventional events can ignite a profound creative idea. In this case, the sight of an ape drawing the bars of its own cage serves as a metaphor for entrapment and the yearning for freedom, demonstrating that creativity often stems from personal experiences and observations of confinement.
In practice
This quote can be used in an art class to illustrate how diverse sources of inspiration can inform creative work.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
Some people become cops because they want to make the world a better place. Some people become vandals because they want to make the world a better looking place.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
Architecture should speak of its time and place, but yearn for timelessness.
I'll give up this sort of touring madness certainly, but music-everything is based on music. No, I'll never stop my music.
As artists we are here to make you uncomfortable with the complexity of your reality.
As an artist, all I need is my paints and brushes - and someone to drag me away when the canvas is done
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