Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
As far as I am concerned the paint is the person. I want it to work for me just as flesh does
Interpretation
This quote emphasizes the deep connection between an artist and their medium, suggesting that paint can convey the essence of a person just as flesh does.
Lucian Freud's statement reflects his belief in the intimate relationship between the artist and their materials. He suggests that, for him, paint is not just a tool but an extension of the subject, capable of expressing the same depth and individuality that flesh conveys in a person. In this way, Freud elevates the act of painting to a personal and emotive engagement where the medium takes on a life of its own.
In practice
This quote can inspire artists during workshops to deepen their relationship with their materials.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
If you want to be a writer, write a little bit every day. Pay attention to the world around you. Stories are hiding, waiting everywhere. You just have to open your eyes and your heart.
I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.
I was attracted by the curve β the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
To this urn let those repair_x000D_ _x000D_ That are either true or fair;_x000D_ _x000D_ For these dead birds sigh a prayer.
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
People say that I could sing the phone book and make it sound good.
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