Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
As far as I am concerned the paint is the person. I want it to work for me just as flesh does
Interpretation
This quote emphasizes the deep connection between an artist and their medium, suggesting that paint can convey the essence of a person just as flesh does.
Lucian Freud's statement reflects his belief in the intimate relationship between the artist and their materials. He suggests that, for him, paint is not just a tool but an extension of the subject, capable of expressing the same depth and individuality that flesh conveys in a person. In this way, Freud elevates the act of painting to a personal and emotive engagement where the medium takes on a life of its own.
In practice
This quote can inspire artists during workshops to deepen their relationship with their materials.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
True elegance becomes the more so as it approaches simplicity.
Trying to be a professional dancer, paying my rent by posing nude for art classes, staring at people staring at me naked. Daring them to think of me as anything but a form they were trying to capture with their pencils and charcoal. I was defiant. Hell-bent on surviving. On making it. But it was hard and it was lonely, and I had to dare myself every day to keep going.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
It must be extremely uncomfortable to live with a writer - all that preoccupation and brooding.
He spares no resource in telling of his dead inventions... Bare verbs he rarely tolerates. He splits infinitives and fills them up with adverbial stuffing. He presses the passing colloquialism into his service. His vast paragraphis sweat and struggle; the
In Africa, those who have money - businessmen and banks - do not believe in film.
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