Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
Lillian HellmanRead
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
Interpretation
The stakes of failure in theater are high, leaving a lasting impact on those involved.
In this quote, Lillian Hellman highlights the unique pressures and emotional toll that come with failures in theater as opposed to other forms of writing. The significant financial investment and the intense emotional connection to the performance amplify feelings of guilt and disappointment, making theatrical failure particularly dramatic and painful.
In practice
During a theater workshop, an instructor might use this quote to illustrate the importance of accepting failure as part of the creative process.
Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
It is not good to see people who have been pretending strength all their lives lose it even for a minute.
The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
I'd rather direct than produce. Any day. And twice on Sunday.
Any woodthrush shows it - he sings, not to fill the world, but because he is filled.
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Now art should never try to be popular. The public should try to make itself artistic.
Subscribe for the occasional hand-picked quote. No noise.