Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Interpretation
What this quote means
The quote contrasts two perspectives on human agency: one sees humans as subject to fate, while the other views them as capable of solving their own problems.
Lillian Hellman explores the idea that a writer's perception of human existence profoundly influences their storytelling. If one believes in fate and that humans are controlled by greater forces, their narratives will lean towards tragedy, depicting inevitable downfall and helplessness. Conversely, if one perceives humanity as capable of overcoming challenges and determining their own fate, their stories are likely to reflect a more optimistic view, resulting in melodramatic elements where characters actively engage with and resolve their conflicts.
Themes
In practice
Example use cases
In a literature class discussing the themes of fate and free will.
More from Lillian Hellman
All quotes →If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
It is not good to see people who have been pretending strength all their lives lose it even for a minute.
Similar quotes
If we affirm one moment, we thus affirm not only ourselves but all existence. For nothing is self-sufficient, neither in us ourselves nor in things; and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event - and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed.
The momentous thing in human life is the art of winning the soul to good or evil.
All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.
We must no more ask whether the soul and body are one than ask whether the wax and the figure impressed on it are one.
War is wrong. Conscription for war is inconsistent with freedom of conscience, which is not merely the right to believe but to act on the degree of truth that one receives, to follow a vocation which is God-inspired and God-directed.
We are here and it is now. Further than that, all human knowledge is moonshine.