I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Colum MccannRead
It's not very fashionable, but I love life, and I believe that things disappear and reappear and nothing ever solidifies, no matter how middle-class, housebroken, staid, and solitary someone's life seems to be. That, I think, is what I'm writing about.
Interpretation
Life is ever-changing, and even seemingly stable lives have deeper complexities.
In this quote, Colum McCann reflects on the transient nature of life, suggesting that no matter how ordinary or stable someone's existence may appear, everything is in a constant state of flux. This perspective encourages a deeper understanding of life's complexities, emphasizing that even mundane experiences are filled with underlying dynamism and change. McCann's writing aims to explore these nuances, inviting readers to appreciate the beauty and complexity of life itself.
In practice
In a speech about embracing life's unpredictability.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.
It was a silence that heard itself, awful and beautiful.
It struck me that distant cities are designed precisely so you can know where you came from.
And I suddenly think, as I look across the table at him, that these are the days as they will be. This is the future as we see it. The swerve and the static. The confidence and the doubt.
We have to remind ourselves constantly that we are not saviours. We are simply a tiny sign, among thousands of others, that love is possible, that the world is not condemned to a struggle between oppressors and oppressed, that class and racial warfare is not inevitable.
...a distinction must be made between true and false ideas, and that too much rein must not be given to a man's imagination under pretext of its being a clear and distinct intellection.
Nothing looks so like innocence as an indiscretion.
Strong moral arguments exist for why we should often try to ignore stereotypes or override them. But we shouldn't assume they represent some irrational quirk of the unconscious mind. In fact, they're largely the consequence of the mind's attempt to make a rational decision.
Man's deliberate destruction of his own habitat -- planet Earth -- could serve as a mighty theme for a mighty book worthy of a modern Melville or Tolstoy. But our best fictioneers confine themselves to domestic drama -- soap opera with literary trimmings.
Maybe time is nothing at all like a straight line. Perhaps it's shaped like a twisted doughnut. But for tens of thousands of years, people have probably been seeing time as a straight line that continues on forever. And that's the concept they based their actions on. And until now they haven't found anything inconvenient or contradictory about it. So as an experiential model, it's probably correct.
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