I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Colum MccannRead
30 quotes
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.
It was a silence that heard itself, awful and beautiful.
It struck me that distant cities are designed precisely so you can know where you came from.
And I suddenly think, as I look across the table at him, that these are the days as they will be. This is the future as we see it. The swerve and the static. The confidence and the doubt.
I am of the opinion, and even more so the older I get, that it is more difficult to have hope than it is to despair. And I mean this in the sense that in order to have hope you must acknowledge the despair and then you have to get beyond it. Taken from a radio interview given on BBC Radio 4's Open Book
Sometimes thinking back on things is a mistake arising out of pride, but I guess you live inside a moment for years, move with it and feel it grow, and it sends out roots until it touches everything in sight.
It's not very fashionable, but I love life, and I believe that things disappear and reappear and nothing ever solidifies, no matter how middle-class, housebroken, staid, and solitary someone's life seems to be. That, I think, is what I'm writing about.
There are moments we return to, now and always. Family is like water - it has a memory of what it once filled, always trying to get back to the original stream.
The job of the writer is to look at where he is now and make some sort of emotional sense of it, not only for that moment but for years to come.
A book is completed only when it is finished by a reader.
We stumble on, thinks Jaslyn, bring a little noise into the silence, find in others the ongoing of ourselves. It is almost enough.
He told me once that there was no better faith than a wounded faith and sometimes I wonder if that is what he was doing all along --trying to wound his faith in order to test it--and I was just another stone in the way of his God.
I guess this is what marriage is, or was, or could be. You drop the mask. You allow the fatigue in. You lean across and kiss the years because they're the things that matter.
She wanted to tell him so mach, on the tarmac, the day he left. The world is run by brutal men and the surest proof is their armies. If they ask you to stand still, you should dance. If they ask you to burn the flag, wave it. If they ask you to murder, re-create.
The thing about love is that we come alive in bodies not our own.
What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday... He consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it.
Sometimes we just walk into something that is not for us at all. We pretend it is. We think we can shrug it off like a coat, but it's not a coat at all, it's more like another skin. [...] All I wanted was to make my life thrilling for a while: to take the oridinary objects of my days and make a different argument out of them, no obligations to my past.
The further away we got from 9/11, the more I wanted to find some way to recover. I wanted to talk about the more anonymous corners of the city, because I think it's very important that not all of that anger was turned to revenge.
No shame in saying that I felt a loneliness drifting through me. Funny how it was, everyone perched in their own little world with the deep need to talk, each person with their own tale, beginning in some strange middle point, then trying so hard to tell it all, to have it all make sense, logical and final.
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