By all means continue destroying my possessions. I daresay I have too many.
My favorite literary heroine is Jo March. It is hard to overstate what she meant to a small, plain girl called Jo, who had a hot temper and a burning ambition to be a writer.
Interpretation
What this quote means
Jo March represents the struggle and ambition of aspiring writers, serving as a powerful inspiration for many.
In this quote, J.K. Rowling reflects on the profound impact Jo March, the protagonist of Louisa May Alcott's 'Little Women', had on her own life as a young girl. Jo's character, marked by her fierce independence, fiery spirit, and unwavering determination to pursue her passion for writing, resonates deeply with those who aspire to express themselves creatively, demonstrating the importance of literary role models in shaping one's identity and ambitions.
Themes
In practice
Example use cases
In a speech about the importance of female role models, I might quote Rowling's admiration for Jo March.
More from J. K. Rowling
All quotes →Where are you heading, if you’ve got the choice?” James lifted an invisible sword. “‘Gryffindor, where dwell the brave at heart!’ Like my dad.” Snape made a small, disparaging noise. James turned on him. “Got a problem with that?” “No,” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy —” “Where’re you hoping to go, seeing as you’re neither?” interjected Sirius.
Depression isn't just being a bit sad. It's feeling nothing. It's not wanting to be alive anymore.
I tell you, that dragon's the most horrible animal I've ever met, but the way Hagrid goes on about it, you'd think it was a fluffy little bunny rabbit.
Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn't it?
The consequences of our actions are always so complicated, so diverse, that predicting the future is a very difficult business indeed.
Similar quotes
The poet gives us his essence, but prose takes the mould of the body and mind entire.
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
Certainly 'The Judgment of Paris' was the novel in which I found my own voice.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
The novel, for me, was an accident. I really don't consider myself a novelist.
To whom do I give my new elegant little book? Cui dono lepidum novum libellum?