What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
Willa CatherRead
Let your fiction grow out of the land beneath your feet.
Interpretation
Create stories that are inspired by your own experiences and surroundings.
Willa Cather's quote emphasizes the importance of authenticity and rootedness in storytelling. It suggests that a writer's fictional narratives should reflect the real world, drawing inspiration from the landscape, culture, and experiences that shape them, thus creating deeper connections with their audience.
In practice
During a writer's workshop, to encourage participants to draw from their surroundings.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
That is happiness; to be dissolved into something complete and great.
Our tree became the talking tree of the fairy tale; legends and stories nestled like birds in its branches.
Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.
The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.
This is reality, whether you like it or not--all those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.
People haven't always been there for me, but music always has.
I've still not written as well as I want to. I want to write so that the reader in Des Moines, Iowa, in Kowloon, China, in Cape Town, South Africa, can say, 'You know, that's the truth. I wasn't there, and I wasn't a six-foot black girl, but that's the truth.'
Language upon a silvered tongue affords enchantment enough.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
Literature is a beautiful way of keeping the imagination alive, of visiting worlds you would never have time to in your day-to-day life. It keeps you abreast of a wider spectrum of human activities.
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