You see, in this world there is one awful thing, and that is that everyone has his reasons.
Jean RenoirRead
A film director is not a creator, but a midwife. His business is to deliver the actor of a child that he did not know he had inside him.
Interpretation
The director's role is to help actors realize their potential rather than create something from nothing.
This quote by Jean Renoir emphasizes the transformative role of a film director in the creative process. Instead of merely imposing their vision onto the actors, the director's task is to draw out the hidden talents and emotions within the actors, akin to the process of a midwife assisting in childbirth. It suggests that great art is often a collaboration where the director facilitates the natural expression of the actor's abilities.
In practice
This quote could be mentioned during a film panel discussion to highlight the collaborative nature of filmmaking.
You see, in this world there is one awful thing, and that is that everyone has his reasons.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
A director makes only one movie in his life. Then he breaks it into pieces and makes it again.
The real hell of life is that everyone has his reasons.
I believe that perfection handicaps cinema.
A Director Makes Only One Movie in His Life. Then He Breaks It Into Pieces and Makes It Again.
The sadness of the incomplete, the sadness that is often Life, but should never be Art.
You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.
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