I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
Ridley ScottRead
In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
Interpretation
Sentimentality in film is often confused with genuine emotion, but it lacks authenticity.
In this quote, Ridley Scott emphasizes the importance of avoiding sentimentality in filmmaking, which he views as an inauthentic expression of emotion that doesn't resonate deeply with audiences. He distinguishes between true emotional connections and those that are simply manipulative or unearned, suggesting that a good film should evoke genuine feelings without resorting to over-sentimental or cliché moments.
In practice
This quote could be used in a film class discussing the balance between emotion and manipulation in storytelling.
I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
The best stories come out of the truth.
In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
I think over time I've learned to stop being a screamer and get interactive; otherwise, you get killed in Hollywood. I stopped being a screamer shortly after 'Blade Runner,' kicking doors and things like that, because I wasn't actually getting anywhere.
I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
Everyone is tearing each other apart in the name of their personal god. And the irony is, by definition, they're probably worshiping the same god.
The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
I write as a witness to what I have seen.
Any time is the time to make a poem.
I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
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