It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Laurence OlivierRead
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Interpretation
The actor's role is to help others understand and explore their own emotions and humanity.
Laurence Olivier emphasizes the unique position of the actor in society, asserting that their work transcends mere performance. Instead, it serves a deeper purpose by fostering an understanding of human emotions and experiences, inviting audiences to reflect on their own hearts and lives through the lens of storytelling and acting.
In practice
This quote could be shared at an acting workshop to inspire aspiring actors.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
Acting is an everlasting search for truth.
I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.
Nine books have been written about me, and there's not a word of truth in any of them.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time itβs really useless.
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when Iβm doing fiction.
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