It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Laurence OlivierRead
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Interpretation
The actor's role is to help others understand and explore their own emotions and humanity.
Laurence Olivier emphasizes the unique position of the actor in society, asserting that their work transcends mere performance. Instead, it serves a deeper purpose by fostering an understanding of human emotions and experiences, inviting audiences to reflect on their own hearts and lives through the lens of storytelling and acting.
In practice
This quote could be shared at an acting workshop to inspire aspiring actors.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
Acting is an everlasting search for truth.
I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.
Nine books have been written about me, and there's not a word of truth in any of them.
There are some designers who flash and burn - Courreges is an example of that. But he still marked fashion history. And I don't think that longevity is always a badge of honor. Modern brand management means that we are always celebrating birthdays, when what is exciting about fashion is innovation, not repetition.
It is godlike ever to think on something beautiful and on something new.
Art must be in touch with nature - and wherever that touch is gone, Art degenerates - yet it must be above nature.
The secret to modeling is not being perfect. What one needs is a face that people can identify in a second. You have to be given whatβs needed by nature, and whatβs needed is to bring something new.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Her beauty climbed the rolling slope, it came into the room, rustling ghost-like through the curtains.
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