It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Laurence OlivierRead
I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.
Interpretation
The quote emphasizes the value of hard work and craftsmanship in artistry.
Laurence Olivier's quote reflects the deep respect he holds for the dedication and labor that goes into being an artist, comparing poets and playwrights like Shakespeare to skilled laborers. It suggests that true artistry is rooted in diligent work, and that the act of creation, much like any craft, requires a strong commitment and expertise, highlighting the nobility of the workman's role in society.
In practice
During a speech on artistry and dedication, one could quote Olivier to emphasize the importance of hard work in creative fields.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Acting is an everlasting search for truth.
Nine books have been written about me, and there's not a word of truth in any of them.
I love that moment just before the curtain goes up, whether I'm sitting in the audience or standing backstage. It's full of expectation. It's a thrill that's unequaled anywhere.
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
We writers, as we work our way deeper into our craft, learn to drop more and more personal clues. Like burglars who secretly wish to be caught, we leave our fingerprints on broken locks, our voiceprints in bugged rooms, our footprints in the wet concrete.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
Unfortunately many young writers are more concerned with fame than with their own work... It's much more important to write than to be written about.
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