What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Laurence OlivierRead
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Interpretation
Learning and mastery require time, patience, and effort.
This quote by Laurence Olivier highlights the long journey of personal and artistic development. It emphasizes how skills, particularly those related to performance and creativity, do not come easily but require dedicated practice and learning, often over many years.
In practice
During a talk on the importance of practice for artists, this quote can illustrate the dedication required in the craft.
What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Acting is an everlasting search for truth.
I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.
Nine books have been written about me, and there's not a word of truth in any of them.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Mediocre writers borrow; great writers steal.
IN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED Shakespeare in the part of the King's Ghost. The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold. Herman Melville at breakfast, feeling a sardine to his cat. Poe's wedding. Lewis Carroll's picnics. The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.
As the waves of perfume, heliotrope, rose, _x000D_ _x000D_ Float in the garden when no wind blows, _x000D_ _x000D_ Come to us, go from us, whence no one knows; _x000D_ _x000D_ So the old tunes float in my mind, _x000D_ _x000D_ And go from me leaving no trace behind, _x000D_ _x000D_ Like fragrance borne on the hush of the wind.
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