When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
It sometimes takes a foreigner to come and see a place and paint it. I remember someone saying they had never really noticed the palm trees here until I painted them.
Interpretation
What this quote means
Outsiders can provide fresh perspectives on familiar surroundings, highlighting beauty that locals may overlook.
David Hockney's quote reflects the idea that sometimes those who are not immersed in an environment can see its beauty more clearly. A foreigner's fresh perspective can reveal details and aspects of a place that the locals may take for granted, like how he brought attention to the palm trees through his artistic interpretation. This suggests that art has the power to change our perception and appreciation of the world around us.
Themes
In practice
Example use cases
In a speech about the importance of diverse viewpoints in creative fields, one might use this quote to emphasize how fresh perspectives can enhance appreciation for the familiar.
More from David Hockney
All quotes →I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
My only worry is the painting I'm doing. Nothing else.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
Similar quotes
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
I have gathered a posy of other mens flowers and only the thread that bonds them is my own.
Those who create are rare; those who cannot are numerous. Therefore, the latter are stronger.
The reality of a poem is a very ghostly one. It suggests, it suggests, it suggests again.
No art ever survived censorship; no art ever will.
Elegance means being beautiful both on the inside and out.