It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Laurence OlivierRead
What is the main problem of the actor? It is to keep the audience awake, and not let them go to sleep, then wake up and go home feeling they've wasted their money.
Interpretation
An actor's primary challenge is to engage the audience throughout a performance.
Laurence Olivier highlights the fundamental responsibility of an actor, which is to captivate the audience's attention and ensure they are fully immersed in the performance. If an audience becomes disengaged, it can lead to dissatisfaction, making them feel that their time and money have been wasted. This emphasizes the importance of skillful acting and storytelling in the realm of performance art.
In practice
A theater director might share this quote while discussing the importance of engagement in a rehearsal.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
I don't know what is better than the work that is given to the actor - to teach the human heart the knowledge of itself.
Acting is an everlasting search for truth.
I'd like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God's a workman. I don't think there's anything better than a workman.
Nine books have been written about me, and there's not a word of truth in any of them.
A girl’s got to use what she’s given and I’m not going to make a guy drool the way a Britney video does. So I take it to extremes. I don’t say I dress sexily on stage - what I do is so extreme. It’s meant to make guys think: ‘I don’t know if this is sexy or just weird.
All the seven deadly sins are peccadilloes but without three of them, Pride, Lust, and Sloth, poetry might never have been born.
I feel like everything you learn as an actor growing up is wrong. You're supposed to hit your mark, find your light and know your lines. Those are all things that just make things wooden, dull and boring.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
I have found that all ugly things are made by those who strive to make something beautiful, and that all beautiful things are made by those who strive to make something useful.
Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
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