Prejudices are what fools use for reason.
VoltaireRead
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
Interpretation
This quote emphasizes the relationship between contrasting elements in art and their coexistence without contradiction.
Voltaire reflects on the idea that while small and large elements in a painting may contrast, they do not necessarily oppose one another. He distinguishes between mere color contrasts, which can enhance a piece of art, and colors that are truly contrary, which disrupt the visual harmony. This notion can be metaphorically extended to various aspects of life, where differences can coexist and even enrich experiences.
In practice
Using this quote to illustrate the importance of contrasts in a school art presentation.
Prejudices are what fools use for reason.
He was a great patriot, a humanitarian, a loyal friend; provided, of course, he really is dead.
It is dangerous to be right in matters where established men are wrong.
It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it.
We are all full of weakness and errors; let us mutually pardon each other our follies - it is the first law of nature.
It is better to risk saving a guilty man than to condemn an innocent one.
An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
The secret of good cooking is, first, having a love of it… If you’re convinced that cooking is drudgery, you’re never going to be good at it, and you might as well warm up something frozen.
In improvisation, there are no mistakes.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
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