I don't believe in devils. Indifference and misunderstandings can create evil situations. Most of the time, people who appear to be evil are really victims of evil deeds.
Max Von SydowRead
Film acting, if you don't play the lead, you come, and you do your scenes in a few days, and you act with a couple of colleagues. All the rest of the actors you never see, and you don't even meet many of them. And you don't know what will happen with what you've done. Maybe it will be in the film, maybe it will not.
Interpretation
Film acting can be isolating and uncertain, especially for supporting roles.
This quote highlights the unique experience of film acting, particularly for those who do not hold leading roles. It emphasizes the ephemeral nature of the craft, where an actor may only interact with a handful of colleagues and may not see how their contributions fit into the final product, underscoring the uncertainty and detached nature of working in film.
In practice
This quote could be shared at a film school seminar to illustrate the realities of acting.
I don't believe in devils. Indifference and misunderstandings can create evil situations. Most of the time, people who appear to be evil are really victims of evil deeds.
What is important, I think, is to reach as many people as you can and do it as well as you can. Reach them and inspire them or amuse them, or maybe in some odd moments help them to discover something they hadn't thought of before.
The more I had to act like a saint, the more I felt like being a sinner.
It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'
As an actor you become that lighting rod between the person who made the play and the audience.
The poet is one who is able to keep the fresh vision of the child alive.
If there was some sort of mathematical equation for beauty, I don’t know if I would be the algorithm. I’m not a supermodel. That’s not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what’s happening on the outside.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
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