Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael HanekeRead
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
Interpretation
This quote emphasizes the responsibility of filmmakers to respect and consider their audience, rather than merely manipulate them.
Michael Haneke's quote suggests that film, as a powerful medium, has historically been used for propaganda, which imposes a moral obligation on directors. They must treat their audience with seriousness and integrity, recognizing their capacity for critical thought rather than viewing them as mere tools for manipulation. This highlights the ethical role of filmmakers in shaping narratives that respect viewers.
In practice
During a panel discussion on film ethics, this quote could be used to emphasize the importance of integrity in storytelling.
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
All movies assault the viewer in one way or another.
An artist is someone who should raise questions rather than give answers. I have no message.
It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
Whenever you are creating beauty around you, you are restoring your own soul.
You photograph with all your ideology.
I don't want to be owned by a corporation and obliged to make a certain type of album. I want to be free.
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