Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Alfred HitchcockRead
Film your murders like love scenes, and film your love scenes like murders.
Interpretation
The quote suggests that both love and violence can be portrayed with the same intensity and authenticity in film.
Alfred Hitchcock's quote reflects on the intricacies of filmmaking, especially the emotional depth required to depict both love and violence. It implies that the passion found in love scenes should be mirrored in the suspense and raw emotion of murder scenes, challenging filmmakers to capture the essence of human experience in all its forms, whether tender or brutal.
In practice
This quote can be used in a film class discussion on the emotional depth required in cinematography.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Seeing a murder on television can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.
There is something more important than logic: imagination
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Whether I make them or not, there are always sounds to be heard and all of them are excellent.
There's something about the ukulele that just makes you smile. It makes you let your guard down. It brings out the child in all of us.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Painting is an infinitely minute part of my personality.
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