Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Tim BurtonRead
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Interpretation
Ray Harryhausen's influence on animation is profound, even surpassing major filmmakers like Disney for some.
This quote reflects Tim Burton's deep admiration for Ray Harryhausen, a pioneering animator who greatly influenced his passion for animation. Burton acknowledges that Harryhausen's films left a significant mark on him at a young age, highlighting the powerful impact that art and creativity can have on individuals and their career paths.
In practice
In a speech about the role of creative figures in shaping the industry, you could reference this quote to emphasize how early exposure to art can inspire future talents.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
If I'd said, 'I'm going to be a director,' it probably wouldn't have happened.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
The role of the artist is to not look away.
In some ways, my gift for music and writing was born out of tragedy, really, and loss.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
For myself and my own experience now, I don't really need any music. I have enough to listen to with just the sounds of the environment. I listen to the sounds of 6th avenue.
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