Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Tim BurtonRead
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Interpretation
This quote captures the eerie essence of dreams and fears intertwined with artistry.
Tim Burton uses the imagery of being a shadow on the moon to evoke feelings of fear and the haunting nature of dreams. This reflects his unique style of blending dark themes with whimsical elements, illustrating how nightmares can fill our dreams yet also evoke a fascinating artistic exploration of fear.
In practice
This quote can be used in an art class discussion about the role of fear in creativity.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
If I'd said, 'I'm going to be a director,' it probably wouldn't have happened.
You will never, I think, fully conquer the play. Every night, you see this Everest before you. It's that two, three hours and the audience, and you'd better tell the truth.
A poet’s freedom lies precisely in the impossibility of worldly success. It is the freedom of one who knows he will never be anything but a failure in the world’s estimation, and may do as he pleases. The poet is a man on the sidelines of life, sidelined for life. He belongs to the aristocracy of the outcast, the lowest of the low, below the salt of the earth. A member of the most ancient regime in the world. One that cannot, it seems, be overthrown.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.
I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.
There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.
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