There's no such thing as an anti-war film.
Francois TruffautRead
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
Interpretation
Filmmaking requires a blend of various and often opposing skills and perspectives.
Francois Truffaut highlights the duality and complexity involved in filmmaking, suggesting that a successful filmmaker must balance a variety of contradictory talents and approaches. This encompasses creative vision, technical skill, and emotional depth, all of which may seem at odds but are essential for creating impactful cinema.
In practice
This quote can inspire aspiring filmmakers at a seminar about the diverse skills needed in the industry.
There's no such thing as an anti-war film.
But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I have always preferred the reflection of the life to life itself.
When I bestride him, I soar, I am a hawk: he trots the air; the earth sings when he touches it; the basest horn of his hoof is more musical than the pipe of Hermes.
Every magic trick consists of three parts, or acts. The first part is called the Pledge. The magician shows you something ordinary. The second act is called the Turn. The magician takes the ordinary something and makes it into something extraordinary. But you wouldn't clap yet, because making something disappear isn't enough. You have to bring it back.
Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
The man who never in his mind and thoughts travel'd to heaven is no artist.
I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.
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