There's no such thing as an anti-war film.
Francois TruffautRead
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
Interpretation
Filmmaking requires a blend of various and often opposing skills and perspectives.
Francois Truffaut highlights the duality and complexity involved in filmmaking, suggesting that a successful filmmaker must balance a variety of contradictory talents and approaches. This encompasses creative vision, technical skill, and emotional depth, all of which may seem at odds but are essential for creating impactful cinema.
In practice
This quote can inspire aspiring filmmakers at a seminar about the diverse skills needed in the industry.
There's no such thing as an anti-war film.
But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I have always preferred the reflection of the life to life itself.
Magic becomes art when it has nothing to hide.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present.
Most serious writers refuse to make themselves available to the things that technology is doing. I've never been able to understand this sort of fear.
Racist writing is a craft failure.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
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