There's no such thing as an anti-war film.
Francois TruffautRead
I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.
Interpretation
What this quote means
The quote expresses a desire for a film to deeply engage and enchant its audience, leaving them mesmerized.
Francois Truffaut emphasizes the transformative power of cinema, suggesting that the goal of filmmaking is to create an immersive experience that captivates viewers so completely that they feel almost disoriented when returning to reality. This speaks to the emotional and psychological impact that art, particularly film, can have on an audience, encouraging filmmakers to evoke profound feelings and reactions.
Themes
CinemaAudienceCaptivationArtExperience
In practice
Example use cases
This quote could be used in a speech at a film festival to highlight the power of storytelling.
More from Francois Truffaut
All quotes →But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
Francois TruffautRead
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
Francois TruffautRead
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
Francois TruffautRead
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
Francois TruffautRead
I have always preferred the reflection of the life to life itself.
Francois TruffautRead
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The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
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