I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
Interpretation
What this quote means
This quote explores the idea that writers may not have as much control over their characters as they believe, suggesting that the process can feel like guiding a chaotic journey.
George Saunders uses the metaphor of a river-rafting guide to illustrate that the act of writing often involves navigating unpredictable waters rather than controlling the outcome directly. This reflects the complex nature of storytelling, where characters develop and make choices that can surprise even the author. The writer's role may be to facilitate these unexpected turns, embracing the chaos instead of imposing strict control in order to convey deeper truths.
Themes
In practice
Example use cases
In a writing workshop, to explain the unpredictable nature of character development.
More from George Saunders
All quotes →I still believe that capitalism is too harsh and I believe that, even within that, there is a lot of satisfaction and beauty if you happen to be one of the lucky ones, although that doesn't eradicate the reality of the suffering. It's all true at once, kind of humming and sublime.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
What a powerful thing to know: That one's own desires are mappable onto strangers; that what one finds in oneself will most certainly be found in The Other.
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
I don't think much new ever happens. Most of us spend our days the same way people spent their days in the year 1000: walking around smiling, trying to earn enough to eat, while neurotically doing these little self-proofs in our head about how much better we are than these other slobs, while simultaneously, in another part of our brain, secretly feeling woefully inadequate to these smarter, more beautiful people.
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