Poetry is a process of getting back to the unconscious. Hence, I am always writing-even when I'm not facing the white space. I feel writers are like reservoirs of images. We take in what is around us.
Interpretation
Poetry taps into our unconscious thoughts and feelings, allowing us to express what we observe around us even when not actively writing.
In this quote, Yusef Komunyakaa emphasizes the idea that poetry is not just a conscious act of writing but a deeper process of connecting with the unconscious mind. He likens writers to reservoirs, collecting experiences and images from their surroundings, which enrich their creative process, suggesting that inspiration is constantly flowing, even in times of inactivity.
In practice
This quote can be shared in a poetry workshop to inspire budding poets.
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
We have to embrace the good over the bad. That has to be one's personal project.
I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
I'm uncomfortable with the focus on the poet and not on the poem.
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
While writing 'Half of a Yellow Sun,' I enjoyed playing with minor things: inventing a train station in a town that has none, placing towns closer to each other than they are, changing the chronology of conquered cities. Yet I did not play with the central events of that time.
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting.
There's a crystallization that goes on in a poem which the young man can bring off, but which the middle-aged man can't.
Often I listen to songs on repeat for days and days at a time. There's something hypnotic or meditative, and it mirrors the way that I am putting the sentence together, going back over the same phrases again and again.
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