I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me.
Tony HarrisonRead
For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Interpretation
Poetry can capture deep despair while also providing beauty and pleasure, creating a connection between emotion and intellect.
Tony Harrison highlights the paradoxical nature of poetry and tragedy, where the most painful subjects can evoke profound beauty and sensory pleasure. This interplay allows a deep emotional connection between what is felt by the heart and what is understood by the mind, bridging the gap between despair and aesthetic experience.
In practice
In a literary discussion, one might use this quote to illustrate the complexity of emotional experiences in literature.
I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me.
Theatre has to be theatrical. It has to draw attention to itself, like poetry.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
The poignancy of a photograph comes from looking back to a fleeting moment in a floating world. The transitoriness is what creates the sense of the sacred
The time has come for writers, especially those who are artists, to admit that in this world one cannot make anything out, just as Socrates once admitted it, just as Voltaire admitted it.
It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
Whatever is felt upon the page without being specifically named there — that, one might say, is created.
I had a handful of records, but when I was 11 years old, I liked Puccini as much as Little Richard. They both made sense to me.
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