To shoot a film is to organize an entire universe.
Ingmar BergmanRead
I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
Interpretation
The quote reflects on the discomfort artists often feel when confronting their own work.
Ingmar Bergman's quote reveals the emotional turmoil that creators experience when they view their own films. He describes a sense of anxiety and sadness that arises from a critical self-reflection, suggesting that the creative process can be intensely personal and often leads to dissatisfaction with one's own artistic output.
In practice
In a discussion about the struggles of filmmakers, this quote can illustrate the complexity of their emotional responses to their own work.
To shoot a film is to organize an entire universe.
I'd prostitute my talents if it would further my cause, steal if there was no way out, killing my friends or anyone else if it would help my art.
I want to confess as best I can, but my heart is void. The void is a mirror. I see my face and feel loathing and horror. My indifference to men has shut me out. I live now in a world of ghosts, a prisoner in my dreams.
To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated.
Only someone who is well prepared has the opportunity to improvise.
When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.
Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life.
When you start with a portrait and try to find pure form by abstracting more and more, you must end up with an egg.
There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
I want to be an artist, an actress with integrity, and that includes all kinds of parts.
My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.
I shall create! If not a note, a hole./If not an overture, a desecration.
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