I can't go back. The past won't go away in this family.
Frank MccourtRead
First of all there is always that artistic challenge of creating something. Or the particular experience to take slum life in that period and make something out of it in the form of a book. And then I felt some kind of responsibility to my family.
Interpretation
Creating art involves overcoming challenges while expressing personal and societal experiences.
In this quote, Frank McCourt reflects on the dual challenges of artistic creation and the responsibility he feels towards his family. He acknowledges that the process of transforming difficult experiences, such as slum life, into a meaningful book is both an artistic endeavor and a personal obligation, suggesting that art can emerge from hardship and carry a weight of familial duty.
In practice
In a talk about creativity, one could quote this to emphasize the connection between personal responsibility and artistic expression.
I can't go back. The past won't go away in this family.
Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You'll be amazed at what will come out on paper. I'm still learning what it is about the past that I want to write. I don't worry about it. It will emerge. It will insist on being told.
Kids all want to look cool, as if knowledge is a great burden, but they're always looking around. They remember.
That's what kept us going - a sense of absurdity, rather than humor.
A mother's love is a blessing No matter where you roam. Keep her while you have her, You'll miss her when she's gone -- Angela's Ashes.
You might be poor, your shoes might be broken, but your mind is a palace.
There’s a strange quality in stop-motion photography, like in King Kong, that adds to the fantasy. If you make things too real, sometimes you bring it down to the mundane.
When I really have to push and grope and scratch and claw to make a story work, that's a telltale sign that maybe something conceptually isn't right.
Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless. If such things have not been part of your own experience, you probably won't understand what Bastian did next.
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