When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.
Interpretation
The quote reflects the author's deep concern for the representation of her characters and the impact of storytelling.
Jesmyn Ward emphasizes the dual responsibility of a writer to be both passionate about storytelling and mindful of the implications that their narratives can have on readers and society. In her experience writing 'Where the Line Bleeds,' she recognizes the significance of portraying the lives of young black men, embodying feelings of both investment in their stories and anxiety regarding the broader effects these representations might create.
In practice
During a panel discussion on literature, I referenced Jesmyn Ward's quote to highlight the role of writers in shaping societal narratives.
I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
In the South, there is more overt racism. It's more willfully ignorant and brazen. But it's not as if by moving I'm going to be able to escape institutionalized racism. It's not as though my life won't be twisted and impacted by racism anymore. It will.
The ugly heart of the South still beats with this idea that one group of people is worth less.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
With all the main characters that I write, it's always very important to me that they have good and bad aspects of their personality. It's important to me that they're complicated and that they're human.
Sometimes the fragment of a conversation, the color of the sky, the image in a dream, has everything to do with where the song begins.
I have no desire to prove anything by dancing. I have never used it as an outlet or a means of expressing myself. I just dance. I just put my feet in the air and move them around.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life
The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story.... Writing is seduction. Good talk is part of seduction.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
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