Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life
Interpretation
Art transcends language and embodies experiences that are difficult to express.
Rainer Maria Rilke's quote suggests that many experiences in life are beyond verbal articulation, particularly the experiences conveyed through art. He emphasizes that art possesses a unique, enduring quality that captures the essence of human experience in ways that words often cannot, existing in a realm that eludes direct expression and understanding in our transient lives.
In practice
During an art exhibition, one could reflect on how the artwork resonates with personal experiences that are difficult to articulate.
Spring has again returned. _x000D_ _x000D_ The Earth is like a child that knows many poems._x000D_ _x000D_ Many, O so many. For the hardship_x000D_ _x000D_ of such long learning she receives the prize._x000D_ _x000D_ _x000D_ Strict was her teacher. _x000D_ _x000D_ The white in the old man's beard pleases us._x000D_ _x000D_ Now, what to call green, to call blue,_x000D_ _x000D_ we dare to ask: She knows, She knows!
Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.
a good marriage is that in which each appoints the other guardian of his solitude
He reproduced himself with so much humble objectivity, with the unquestioning, matter of fact interest of a dog who sees himself in a mirror and thinks: there's another dog.
The only journey is the one within.
And now we welcome the new year, full of things that have never been
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
Roaming through the jungle of "Ohs" and "Ahs", searching for a more agreeable noise, I live a life of primitivity with the mind of a child and an unquenchable thirst for sharps and flats.
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
I am a camera, with its shutter open. Someday, all of this will be developed, printed, fixed.
Orcs, and talking trees, and leagues of grass, and galloping riders, and glittering caves, and white towers and golden halls, and battles, and tall ships sailing, all these passed before Sam's mind.
What is certain is that setting a piece of nature in place and drawing it are two very different things.
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