I am a camera, with its shutter open. Someday, all of this will be developed, printed, fixed.
Interpretation
This quote suggests that life experiences are like photographs waiting to be processed and understood over time.
Christopher Isherwood's quote metaphorically compares a person to a camera, indicating that life is filled with moments and experiences that, while they may seem chaotic or unprocessed in the moment, will eventually be 'developed' into meaning and understanding as time passes. It highlights the importance of perspective and reflection in making sense of one’s experiences.
In practice
This quote can inspire artists to continually explore their perceptions of the world.
The more I think about myself, the more I'm persuaded that, as a person, I really don't exist. That is one of the reasons why I can't believe in any orthodox religion: I cannot believe in my own soul. No, I am a chemical compound, conditioned by environment and education. My "character" is simply a repertoire of acquired tricks, my conversation a repertoire of adaptations and echoes, my "feelings" are dictated by purely physical, external stimuli.
A minority is only thought of as a minority when it constitutes some kind of threat to the majority, real or imaginary. And no threat is ever quite imaginary.
What’s so phony nowadays is all this familiarity. Pretending there isn’t any difference between people —well, like you were saying about minorities, this morning. If you and I are no different, what do we have to give each other? How can we ever be friends?
I'm like a book you have to read. A book can't read itself to you. It doesn't even know what it's about. I don't know what I'm about.
The paternalist is a sentimentalist at heart, and the sentimentalist is always potentially cruel.
I certainly should have,' he agrees, smiling and thinking what an absurd and universally-accepted bit of nonsense it is, that your best friends must necessarily be the ones who best understand you. As if there weren't far too much understanding in the world already; above all, that understanding between lovers, celebrated in song and story, which is actually such torture that no two of them can bear it without frequent separations or fights.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
I put one questions. For whom I compose? My answer is I wanted to address to all my people. And if I write music for the Greek people because I'm Greek, I compose for all the people.
All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new.
A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
I would never, ever use a novel to do thinly disguised political information dissemination. For me, all these experiences, they sat in me, and they got broken down into my body, and I sweated it out. It's not because I want to talk about 'issues.' For me, a novel is a way of seeing the world.
"Dirty Love" wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent... I am not certain that anyone involved has ever seen a movie, or knows what one is.
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