Self pity is easily the most destructive of the non-pharmaceutical narcotics; it is addictive, gives momentary pleasure and separates the victim from reality.
John GardnerRead
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
Interpretation
This quote highlights the transformative power of literature, where words can create vivid mental images beyond the text.
John Gardner emphasizes the immersive experience that good literature can provide. As readers, we often lose ourselves in the narrative and visuals conjured by the words, transcending the physical act of reading and entering a world shaped by our imagination. This illustrates the profound impact of storytelling and the art of writing.
In practice
In a book club discussion, to explain the essence of how literature can transport readers.
Self pity is easily the most destructive of the non-pharmaceutical narcotics; it is addictive, gives momentary pleasure and separates the victim from reality.
Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound.
i understand that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. i understood that, finally and absolutely, i alone exist. all the rest, i saw, is merely what pushes me, or what i push against, blindly - as blindly as all that is not myself pushes back. i create the whole universe, blink by blink.
...ultimately it come down to, are you making or are you destroying? If you try very hard to create ways of living, create dreams of what is possible, then you win. If you don't, you may make a fortune in ten years, but you're not going to be read in twenty years, and that's that.
They watch on, evil, incredibly stupid, enjoying my destruction. 'Poor Grendel's had an accident,' I whisper. 'So may you all.
The true artist plays mad with his soul, labors at the very lip of the volcano, but remembers and clings to his purpose, which is as strong as the dream. He is not someone possessed, like Cassandra, but a passionate, easily tempted explorer who fully intends to get home again, like Odysseus.
It seems to me it's a painter's duty to try to put an idea into his work.
Right angles don't attract me. Nor straight, hard and inflexible lines created by man.
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records but if you were a kid you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
Every government secretary of state or minister should jolly well go to the theatre, go to a concert, go to an art gallery, go to a museum, become somehow interested in these things. If they're not interested, they shouldn't be in government, full stop.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Subscribe for the occasional hand-picked quote. No noise.