In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
Flaubert called himself a human pen; I would say that I am a human ear. When I walk down the street and catch words, phrases, and exclamations, I always think - how many novels disappear without a trace! Disappear into darkness.
Interpretation
This quote reflects on the role of the observer in art and literature, emphasizing the importance of capturing fleeting moments and expressions.
Svetlana Alexievich likens her role as a writer to that of a listener, contrasting with Flaubert's view of himself as a creator. She suggests that many voices and stories go unnoticed and unrecorded, highlighting the ephemeral nature of human expression and the responsibility of writers to preserve these narratives in their works.
In practice
In a lecture about the importance of oral history, this quote can illustrate how many untold stories exist around us.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
My greatest debt will always be to the movie-going public of yesterday and today, without whose love and devotion I would have had no story to tell.
Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
There should be change - the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
Thank God, I can look at a sunset now without having to think how to describe it
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