It's a folk singer's job to comfort disturbed people and to disturb comfortable people
Interpretation
Folk singers play a dual role by soothing those in distress and challenging the complacency of those who are comfortable.
This quote by Woody Guthrie highlights the unique responsibility of folk singers and artists in society. They provide solace to individuals who are facing turmoil and, at the same time, provoke thought and reflection amongst those who may be too comfortable in their lives. This duality emphasizes the power of music and art as tools for social commentary and emotional support.
In practice
During a community event focused on social justice, this quote could set the tone for the importance of music in activism.
A folk song is what's wrong and how to fix it or it could be _x000D_ who's hungry and where their mouth is or _x000D_ who's out of work and where the job is or _x000D_ who's broke and where the money is or _x000D_ who's carrying a gun and where the peace is.
The world is filled with people who are no longer needed -- and who try to make slaves of all of us -- and they have their music and we have ours.
Nobody living can ever stop me. As I go walking my freedom highway. Nobody living can make me turn back. This land was made for you and me.
It's round the world I've traveled; it's round the world I've roamed; but I've yet to see an outlaw drive a family from its home
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
Do Re Mi_x000D_ California is a garden of Eden, a paradise to live in or see,_x000D_ But believe it or not, you won't find it so hot_x000D_ If you ain't got the do re mi
As a kid, on the cotton fields, I had this tune in my head. I hummed it and sang it. It was the same melody as 'When A Man Loves A Woman.' I could never, ever forget it.
The great moments of rock 'n' roll were never off in some corner of the music world, in a self-constructed ghetto.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
Superficial pop will always exist - there've always been Fabians - but when people like Dire Straits and Bruce Hornsby start having hits, it suggests that there's a revolution going on in music.
No, I don't know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they 'should' like Schubert and Stravinsky has already lost the battle.
Songs are funny things. They can slip across borders. Proliferate in prisons. Penetrate hard shells. I always believed that the right song at the right moment could change history.
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