It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
BonoRead
The great moments of rock 'n' roll were never off in some corner of the music world, in a self-constructed ghetto.
Interpretation
Rock 'n' roll's most significant moments emerged from mainstream culture, not isolated subcultures.
Bono emphasizes that the defining moments of rock 'n' roll music have always been intertwined with the broader cultural landscape, rather than being confined to niche or isolated communities. This notion speaks to the idea that influential art forms often gain their power and impact through connection and engagement with the wider world, rather than existing in solitude or obscurity.
In practice
This quote can be shared during a music festival to emphasize the impact of collaborative musical experiences.
It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
Perspective is the cure for depression.
At a certain point, I just felt, you know, God is not looking for alms, God is looking for action.
It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.
Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.
You start out playing rock 'n' roll so you can have sex and do drugs, but you end up doing drugs so you can still play rock 'n' roll and have sex.
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
I think one of the great things about being a musician is that you never stop learning.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
Michael Bloomfield came in after rock n roll started, and he was a great guitarist. He idolized me - I know that. What else can I say ? he was a young, excitable man. To him, drugs were plentiful, and that was no good. I talked to him like he was a son of mine. He was a great and he was gonna be greater. But he was part of the "in-crowd" and so he never got there
Subscribe for the occasional hand-picked quote. No noise.